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Making it ten years as a band is no small feat. And maintaining the raw passion of those early days hustling, playing small rooms and cramming into the back of an old van is even rarer still. For the Wild Feathers, though, that passion has only grown with time, stronger now than when the beloved band first formed in 2010. Since then, the band has released three critically acclaimed studio albums, one live album and toured with major acts like Bob Dylan and Willie Nelson, all while continuously honing their singular blend of Southern rock, Americana roots and heartland pop.

Now, the Wild Feathers are ready to pull back the curtain on their decade together with Medium Rarities, an eleven-song collection of previously unreleased music spanning each incarnation of their still-evolving career. Dave Cobb and Jay Joyce both feature as producers on the collection, with the Feathers themselves serving as co-producers for much of the album. The band will independently release Medium Rarities on November 20th.

In some ways, Medium Rarities is a product of the COVID-19 pandemic. When a major tour with Blackberry Smoke was canceled in March, the band found themselves with unexpected time to reflect on their career so far. Joel King, whom Ben Dumas dubs the band’s “archive master,” started poking around hard drives of old music, and the idea of a rarities compilation began to take shape.

“We took the time to go through our vault, which is music, demos, covers we’ve done, b-sides — rare things we’ve never released,” Ricky Young explains. “We always wanted to do something with it one day but we thought this was as good a time as any.”

The time leading up to the pandemic was also one of major transition for the Wild Feathers, making Medium Rarities something of a natural end point of the band’s first era. In early 2020, the band parted ways, as Young explains, with their entire team: their record label, booking agency and management. They were ready to hit reset and start a new chapter right as the music industry was forced to hit an indefinite pause.

“We were in the beginning stage of rebuilding, and then there was the pandemic,” Young says. “We were slowing building back up from the ashes.”

“We were actually three songs in to a new project,” King adds. “So we put those tracks on the rarities album. That was the end of an era. Medium Rarities was meant to be somewhat chronological, so that’s why we added the final three songs we recorded. The album kind of puts a bow on the first era of the Wild Feathers, from 2010 to now.”

King explains that, while the band still has hard drives full of unfinished demos, all of the songs that the band chose for Medium Rarities were already finished. Some, like “Lose Yourself” and “To Be Gone” were b-sides to earlier projects (specifically s, for those tracks), having barely not made the cut onto final studio album track lists. Others were full-fledged covers, some recorded in the band’s early conversations with record labels at the beginning of their career.

“Choosing tracks for the albums was often a difficult process,” Dumas explains. “We could have easily switched one song out for another and the records still would have been as good. We believe in all of these songs as much as we believe in the songs that made it onto records.”

Lead single and opening track “Blue” is one of those three covers. The band has long found inspiration in the Jayhawks, and recorded the 1995 Tomorrow the Green Grass cut as part of a demo package for record label mogul Jimmy Iovine. The Feathers’ version, produced by Dave Cobb, maintains the anthemic spirit of the original recording, but showcases much of what has made the band so beloved to its devoted fans: thoughtful arrangements that draw from roots, Southern rock and Americana; a penchant for infectious melody; and, of course, sweeping, multi-part vocal harmonies reminiscent of The Band or Tom Petty and the Heartbreakers.

“Fire,” “Goodnight” and “My Truth” round out the middle of the compilation, and all three tracks are new material the band wrote in the lead-up to their plans to explore a new era of the Wild Feathers. “Fire,” in particular, shows the band’s sonic growth, with its understated verse arrangement, sparkling production and arena-ready chorus. Harmony-drenched “My Truth” has its roots in a recent writing retreat the band took together, and the song’s lyrics (“I’ve been looking for the answers / I can’t find them on the news”) connect a personal relationship current events. The band produced these new tracks themselves.

Standout b-side “Marie” is a laid-back front-porch rocker that dreams of better days for a lover, its vulnerable lyric punctuated with chiming acoustic guitar and twangy electric riffs. Young wrote “Marie” during sessions for the band’s self-titled debut album, and admitted to being surprised that the song didn’t make the final track list. “It’s one of my favorites,” he says. “I’ll always play it if I do a solo show, or anything like that. I’m really glad it’s made it onto this record.

Medium Rarities opens up the possibility for future volumes,” Young says. “We thought it was a cool thing to do for ourselves, and especially for our fans. We’ve always been one of those bands that talks about having a true catalog, by every definition: live albums, box sets, double albums, b-sides and rarities albums — being music fans, and that’s what we are, that’s what you want from artists you like. You want anything you can get your hands on. This is one more step we’ve accomplished.”

The Wild Feathers will finish out 2020 with a handful of live-streaming concerts and private events, including dates with Blackberry Smoke. They’re currently at work on material for a new album and plan to release new music in early 2021.

By the end of 2019, The Wild Feathers had enough. They’d been through the wringer of big hopes and major label realities. Instead of becoming a music biz sob story, the band knew they had one option to succeed: blow everything up and do things their way.

And they did.

Ahead of Medium Rarities, an odd-and-ends collection that was released last year, the group went through unreleased tracks and ended up self-producing three new songs in relaxed sessions that were fun and spontaneous. While in the studio, each member agreed that they didn’t need the high life and fancy workspaces in order to succeed. Rather than relying on others, The Wild Feathers kept things in-house, producing themselves, which was a part of the hard-scrabble work ethic that got them their success in the first place.

It brought the Nashville-based group closer. The Wild Feathers decided to keep a tighter ship, not only with input on their career but sonically as well.

What could have ended things, liberated them.

They figured out new ways to chart out and work on songs in a fuller, efficient manner. Armed with newfound confidence and a brand new attentive team surrounding them, the quintet were ready to dive in headfirst. The new approach’s success is confirmed on Alvarado, The Wild Feathers’ latest album that’s perhaps the strongest work in the band’s catalog to date.

The positive vibes and energy of this time can be heard on the album’s title track. “Alvarado” is a song the band has had in their back pocket for almost a decade. While they were going through some of the recordings that would comprise Medium Rarities, they rediscovered the eight-year-old uptempo rocker and couldn’t let it fade into the dustbin of lost songs. It also set the overall vibe and tone for what was to come.

In December of 2020, the group hunkered down in a small cabin northwest of Nashville to chip away at a bunch of new songs they worked on during the pandemic. Using the confidence gained from self-producing the new songs found on Medium Rarities, they spent a week together hammering out material. For the first time without a fancy studio, the band were confident and calm during the process, which cohesively allowed the sound to be exactly what they felt like instead of having to answer otherwise. Knocking out 14 songs in just four days, they bonded over barbecues and beers and there was a warmness that hadn’t been present since their early days. It is reflected in the laid-back nature of the songs on Alvarado.

The collaboration and intricate layering of instrumentation, as well as the lyrical matter, on Alvarado showcases The Wild Feathers’ growth as songwriters and burgeoning producers. Without pressure and the newfound confidence to write and produce their own material, The Wild Feathers have done what’s usually a difficult task for a band at this stage of their career: evolve and produce some of their best work to date.

If they’ve learned nothing else from their odyssey, no obstacle will stop The Wild Feathers from getting to where they want to go.