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Fantastic Negrito

Part love story, part historical excavation, Fantastic Negrito’s extraordinary new
album, White Jesus Black Problems, is an exhilarating ode to the power of family and
the enduring resilience of our shared humanity. Inspired by the illegal, interracial
romance of his seventh generation grandparents—a white indentured servant and an
enslaved Black man—in 1750s Virginia, the collection is bold and thought provoking,
grappling with racism, capitalism, and the very meaning of freedom itself, all without
ever losing sight of the desire and determination at the heart of the tale. While each
track here could stand easily on its own, as could the companion film Negrito shot to
accompany the music, stepping back to absorb the collection in its full audio and
visual context yields a far more transcendent and immersive sensory experience, one
that challenges our notions of who we are, where we come from, and, perhaps most
importantly, where we’re headed.

Born Xavier Amin Dphrepaulezz, by now much has been made of Negrito’s own unique
story—his early years growing up in an orthodox Muslim household, the doomed major
label deal that turned him off of the music industry altogether, the near-fatal car cash
that permanently damaged his guitar playing hand—as well as the remarkable
redemption arc that began in 2015, when he won the first ever NPR Tiny Desk Contest.
In the years that followed, Negrito would go on to take home three consecutive
GRAMMY Awards for Best Contemporary Blues Album, tour with everyone from Sturgill
Simpson to Chris Cornell, collaborate in the studio with the likes of Sting and E-40,
launch his own Storefront Records label, perform at Lollapalooza, Glastonbury,
Newport Folk, Bryon Bay Blues, and nearly every other major festival on the map, and
found the Revolution Plantation, an urban farm aimed at youth education and
empowerment. But the events on White Jesus Black Problems pre-date all of that by
more than two centuries, and the story here isn’t so much Negrito’s as it is America’s.

“At the end of the day, this is a record about love,” says Negrito. “There’s a feeling
out there right now that we can’t get anything done because we’re so polarized, so
entrenched in our ideologies and unmoved by facts or logic, but I wanted to share this
story because I think it smashes that narrative to pieces. Despite the horrific
challenges these two faced, they found a way to be together, and the ripple effects of
that act of love have been reverberating for hundreds of years.”

Ultimately, that’s what White Jesus Black Problems is all about.

“I stand on the shoulders of my ancestors, both black and white, who showed me that
anything is possible,” says Negrito. “There was a lot of ugliness in their story, but
there was a lot of beauty, too, because in the end, they won. Love won.”